Dirt → soil → earth: the art of building life.

Dirt → soil → earth: the art of building life.

KSCA member Lucas Ihlein was recently invited to contribute a short essay about soil for Kaldor Public Art Projects. The essay has been published in an education resource for school students about artist Asad Rasa, who created a 300 tonne soil installation in Sydney's Carriageworks in May 2019..

Starting on Day three - Back in the hole

For those who haven’t been following the project “An Artist A Farmer and a Scientist walk into a bar…”, I am participating by repeating a work I did in 2014 at Hill End, “A Hole for Hill End”, in which I dug a hole for a number of ironic and non ironic reasons in the historic gold mining town Hill End. You can read about it here, because I blogged about it, which means that I won’t have to blog about it here.

This is the site that greeted me on my return

This is the site that greeted me on my return

Anyway, that’s the past and this is the present, and in the present I am repeating what I did in the past, with modifications. That’s the way things go. The idea to repurpose the work for the current project came from the director of our partner organisation The Living Classroom, Rick Hutton, who suggested KSCA might produce a permanent public artwork for The Living Classroom as a part of AFS. I’m not a fan of public artwork (which you can read about here) and was uneasy at the prospect. I eventually came around to the idea of digging the hole. The original hole was ephemeral, and I filled it in after completing it but this time I proposed to make it permanent. My immediate rationale was that it would be an art work that wouldn’t result in a work of art, but instead would produce a classroom. It occurred to me that this was just what The Living Classroom needed. As a facility dedicated to disseminating understanding of regenerative agriculture, horticulture, permaculture, ie the land, their work was exclusively carried out above ground, across which you could walk and talk about what was happening underneath you. What they needed, I reasoned, was a classroom that allowed people to experience the land from the inside. And so the hole. I know from personal experience how wonderful it is to be in a hole and thought yes, this is an experience I can contribute.

Not much left to do, really.

Not much left to do, really.

So that was the shining dream. The grubby reality, as we should expect, was a different matter, and thus the title for this blog post. The reason I am starting on day three is that I originally came up to do this residency months ago and promptly fell sick. I got a little work done, but eventually I packed it in after completing roughly two days of work. Now that I am returned, the structure for the project is in shambles. I’m not sure what I’m doing nor why, but that won’t stop me from doing it. In fact, the exact same thing happened the first time. I had some rather clever structure in place that would govern the limits of the work, setting it at five eight hour days a week for one month and this would determine the depth of the hole. This was meant to make some kind of comment on work itself or something. Yet, it almost immediately became impossible to complete because… I kept getting paid work in the city that meant I couldn’t complete the schedule I had set for myself. Oh Irony.

In the end, it greatly improved the work, discarding an arbitrary limit and reducing the work to what it was… work.

So I am starting on the third day and looking forward to whatever improvement this collapse of intention will deliver to the project. I have no idea what it is, nor whether it will come. I suppose I will just have to dig for it.

Just in case anyone was wondering…

Just in case anyone was wondering…

AFS Project launch dinner and theatre event!



“In every true artist, or farmer, or scientist there is a spark, as precious as that first tiny spark with which life itself began…” Louis Bromfield, 1951

Sparks flew last year when Rick Hutton from The Living Classroom in Bingara proposed to stage a play inspired by KSCA’s AFS Project at Bingara’s dazzling Roxy Theatre. Rick’s vision was to use theatre to introduce the project to the community in the New England region of NSW.

What a rollicking good idea we said!

We are delighted to announce that this spark ignited some very creative work. In just a few weeks, the North West Theatre Company will host the launch dinner for our project. Their production will be complemented by a locavore’s feast fit for carnivore and herbivore alike. Dinner and a show!

KSCA wild foods guru Diego Bonetto will work with stylist Marnie Fox, local caterers Friends of Touriandi, and farmer Glenn Morris of Figtree Organic Farms to feed the multitudes. Several of the AFS Project artists will be there to share their brand new collaborative projects with the audience. We can’t wait! Come join us – tickets are limited!

Where: The Roxy Theatre, 74 Maitland street, Bingara, NSW

When: 7.00pm, Saturday 5th May 2018.

How much: $50 per person for “dinner and a show”. BYO Drinks.

Click HERE to buy tickets.

Read more about the AFS Project HERE. And click HERE to read an ABC story about The Roxy Theatre, only recently restored to its 1930s glory and reopened!

STOP PRESS: KSCA is likely to be able to offer free accommodation at The Living Classroom’s bunkhouse to a few punters between May 4th-6th. But get in quick! To register your interest email

The Foragers' Feast at Futurelands2, Kandos, 2016.

The Foragers' Feast at Futurelands2, Kandos, 2016.

Video for Hyper Rural Symposium, November 2017.

Members of KSCA were invited to contribute to the Hyper Rural: the end of Urbanism? Symposium at Manchester Metropolitan University in November 2017. We prepared this video, which discusses KSCA's approach to art, as well as the 'Sugar vs. the Reef?' project which is led by KSCA members Lucas Ihlein and Kim Williams.